Tag Archives: Wayang

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Karya ini terinspirasi dari motif yang pertama kali, saya lihat di Solo, dari koleksi batik pak Hartoyo, kedua kali, saya melihatnya dari koleksi @iwantirta_batik.


 

ATTENTION!

Because I’m very busy atm. and I’m running out of time doing tattooing, sketching for new designs, replying customers and focussing on finding new inspiration. No matter how much time I would like to put into it, I simply don’t have enough time to keep the blog up to date.

Thanks a lot everybody for your understanding!

But if you want to stay up to date about my recent work and want to know what I’m currently doing and where I’m working at the moment, please keep an eye on my pages:

http://www.facebook.com/adeitameda

http://www.facebook.com/adeitamedatattoo

https://www.instagram.com/adeitameda/

Soon I will make an important announcement, so stay tuned!

– Ade

 

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WAYANG ARJUNA SIDE PIECE

As you might have seen on my Facebook, I’m currently in Indonesia for a small break and visiting my family. This is a piece I made last week during my stay in Jakarta.

Click for a bigger preview

Thank you/ terima kasih Adit.! Inspired by wayang (shadow puppets) Arjuna from Java Indonesia. To read more about Arjuna see another piece i’ve done here -> http://www.thisis369.com/blog/?p=2187
Done Jakarta / Indonesia.

I will return to The Netherlands around the end of August. I know a lot of people are still waiting for a reply from me on their email, thanks in advance for your patience!

About my schedule for the upcoming months in the shop, Seven Seas  in Eindhoven (discussion dates / appointments). I will start setting up a new schedule for the upcoming months around the the beginning of September.  I’m currently working with somewhat of a waiting list, if I’m interested in taking your request, I will send you a personal reply with further information. Please note that; those that have all that info in their initial email generally get booked first. If you haven’t added this info, do it now and add it as a reply to the email you originally sent. I’m easily confused, so a continuing thread is much easier.
Due to the amount of messages I get a day, I’m not able to respond right now. And as I handle all of this personally and it takes a long time to work my way through them between drawing and tattooing.

Please do not send multiple emails! (I don’t take any requests by Instagram / Facebook)

Thanks! See you guys soon again in The Netherlands!

– Ade

 

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WAYANG KULIT – TOGOG

Togog

Another design that Ade recently made, with another not so well known character of the shadow puppet theatre is Togog. 

Togog is one of the clown servants for the hero of a story in a Wayang play. Some say he is actually Semar’s brother. As you can see Togog has a big lip, this from having tried to swallow a mountain in a battle with Semar about who was the bravest and this is also the reason why he is always stuttering a bit.

Togog_2

Togog was one of the antagonists, always giving advice to be careful of the limits of humanity.
He speaks out to and is always giving corrections, criticisms and suggestions at the annoyance of his master, he remains loyal even though he is sometimes punished for being stupid.
Togog and Bilung (one of the other servants) are joking most of the time and ridicule each other but they reflect wisdom and truth.

Togog_3

– Lielo

 

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WAYANG KULIT – BIMA

Bima

After the Tattoo Convention Rotterdam 2016 (thanks everyone for dropping by!), last week Ade worked on an upper arm design inspired by a figure found in Wayang Kulit.

BIMA

Bima_2

 

Bima is the second of the Pandawa (Pandava) brothers and a leading character in the epic Mahabharata. He is a strong and bold character as reflected in his round eyes and wide
stance. He was surrounded by a whirlwind wherever he went and he is also instantly recognisable by his long fingernails that act as his weapon (Pancanaka).

He is seen as a heroic figure and known as a powerful figure, he is always rude and intimidating for the enemy, even though his heart soft. Bima characteristics are brave, steadfast, strong, stoic, obedient and honest, and he considers all people equal. He never curses or sits in front of a person he talks to. He has three wives and three children. Having descended from the wind god Vayu, Bima has the ability to fly, as does his half-brother Hanuman (Hanoman) and his son Ghatotkacha.

The vast majority of the ‘Wayang’ plays performed are drawn from the two great Hindu epics, the Ramayana and the Mahabharata with as well as stories of Javanese origin. ‘Wayang kulit’ is considered as the highest of the Javanese performing arts. Performed in the royal courts of Java as early as the ninth century, this tradition continues to be treasured as one of the ‘pusaka’ or sacred heirlooms of the court. ‘Wayang kulit’ is traditionally performed on ritual days and religious ceremonies. It has also been adapted more recently for television and public education campaigns.

Here a nice example of some Wayang kulit play showing the character Bima.

Video by Antonius Oktaviano Wiriadjaja

 

Next thing is: Frankfurt Tattoo Convention 2016! See you there!

– Lielo

 

 

 

 

 

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YOGYAKARTA – KI SUKASMAN / WAYANG UKUR

Our 2 month trip / vacation to Indonesia is slowly coming to an end and we will return to The Netherlands soon full of new energy & inspiration! A good start of the new year! In the past few weeks we went on a inspiration-hunt and we have made several small trips through Indonesia, we have visited many temples and several museums. We would like to tell more about ALL of the beautiful places we have visited but we decided to just highlight the best of them!

On our first trip to Yogyakarta, we searched for the story behind a unique artist called Ki Sukasman. Which Ade heard about a couple of years ago and felt that there was some resemblance in the way Ki Sukasman is creating art and the way he is makes his designs. So off we went!

Ki Sukasman – Wayang Ukur

Ki Sukasman

Ki Sukasman was a 66-year-old artist (he passed in 2009) from Yogyakarta who devoted all his life to wayang, the art of leather puppetry. What distinguished him from others was his view on the ‘traditional wayang’. A bit more about him and his artworks you can find in a long interview hold by The Jakarta Post in 2003. 

Sukasman has made a name as the creator of Wayang ukur, a new style of leather puppet. His puppets have been used in shadow plays at home and abroad, such as in Canada, Holland, Germany and the U.S.

Sukasman first observed the puppets as a little boy. He made leather puppets later in his youth, and graduated from the Indonesian Fine Art Academy (ASRI) in Yogyakarta, in 1962, majoring in advertising, decorative arts, illustration and graphic arts.

Since graduating, he has experimented with leather puppets. He strongly disagrees with the popular conception that the puppet’s form has already reached a state of perfection and needs no divergence.

As an artist, he purges his restlessness with the obsessive scientific study of leather puppets. He has tried to crack the stylization secret of the puppet’s shapes. Finally, he found a way to modify the form by measuring individual parts: the body, the arms, the legs, the neck and the shoulders. Hence the origins of his puppet’s name, Wayang ukur (leather puppets in measurement).

Sukasman, who worked as a dishwasher and did other jobs in the Netherlands between 1965 and 1974, has devoted nearly all his life to wayang. He remains unmarried and most of his earnings went back into his art. He owns a large house on Jl. Taman Siswa, Yogyakarta, which serves as both his house and workshop.

 

To read the full interview, click here.

It was not so easy to find the place where we knew about that you could still find some of his artworks. The first place that Google maps told us to go to turned out to be wrong… We asked around a bit and after a while we found a guy who could point us his house / workshop. We stepped inside, a bit unsure if this was the right place where we could find Ki Sukasman’s artworks. Inside the house we found a young man who confirmed that this was his old work space. He leaded us to the back of the building and showed us some of the remaining artworks and told us that all the original wayang puppets he made are now in the possession of his brother and some museums.

Sukasman

When we walked to the back we felt like entering someones private ‘studio’, not really the idea of a gallery. On the side, against the wall we found some of the remaining artworks (engraved slate stone plaques). And they where absolutely amazing! Around 170 cm high, beautifully engraved, extremely detailed. It was almost sad to find these great artworks, covered with dust, put away in a sort of garage. The boy leaded us around and explained us what he knew about the history of these artworks and around which time they where made. 3 big rooms, filled with all these beautiful doors, statues, windowpanes. We almost couldn’t believe that so many people in the past where disagreeing with his idea of traditional wayang, these were masterpieces! A small, but impressive collection of some of Ki Sukasman’s artworks, definitely one that deserves more attention.

Sukasman_3 Sukasman_4

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Overall in our opinion, an amazing, under appreciated, artist with a very progressive view on the traditional wayang. If you’re interested in visiting his workshop, to see these artworks follow the directions below;

 

Head to  JL Taman Siswa in Yogyakarta, but don’t go into the small streets of the neighborhood but stay on the main road and you will find the Ki Sukasman’s workshop on the left side of the road next to a parking lot where you can park your car.

Because this is a quite ‘hidden’ place, certainly not a tourist attraction, there’s no entry-fee to see these artworks, but please grab a bite in the small warung inside the building to give some support to the people who take care of the remains of this beautiful collection.

– Lielo

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GUNUNGAN SHADOW PUPPET BACK PIECE

Gunungan

Last week Ade stared lining up a big back-piece he will be working on. This time a very special ‘character’ from the wayang kulit shaddow puppet theatre, called Gunungan.

Gunungan_3

GUNUNGAN / KAYON

Gunungan (mountains) or Kayon (tree) / the Cosmic Tree or Mountain of Life is a shadow puppet shaped like a mountain and represents the world and its content. On it you will find carved and painted, mythical symbols and animals. There are two types of Gunungan; on one version you will find the tree standing with his roots in a pond of water, which sometimes contains fish (female qualities) and the other one is one with a big gate guarded by two demon giants. They are the guards of heaven and represent the forces of greed and lust. The gate itself is the gate to heaven or perhaps a gate from the world of reality into the mystical world of the ancestors and the gods. The last one is usually slightly more pointed to represent the male qualities. In the tree you find many animals or fantastic creatures are depicted: a tiger, a bison, peacocks, birds, dragons etc. Resembling concepts such as pride, arrogance, and vanity. Half way up the tree is the big face of an demon, Kala / Raksasa , symbolizing the dangers of human life.

Before the wayang shadow puppet play starts, Gunungan is plugged in the middle of the screen, leaning slightly to the right. This means that the puppet play has not yet begun, like the world that has not yet been ‘opened’. Once the play starts, Gunungan will be moved and lined up on the right. It’s function during the performance is to mark the beginning of each scene.

Gunungan_2

Besides that Gunungan is also used as a sign if there are any chances in the play, the stage or the story. Gunungan is also used to symbolize fire or wind. In this case Gunungan is reversed (flipped around) and on that side it reveals a huge demonic face with its tongue hanging out and eyes bulging. It’s consuming flames and fire. They evil energy is unleashed, it consumes and destroys. It’s energy turned negative.

Gunungan_both_1

 

 

The Gunungan (the cosmic mountain or Tree of Life) has both practical and highly symbolic functions in the wayang performances. For example Gunungan can also be used to symbolize the jungle, a mountain or the ocean during some scenes of the play. In this case Gunungan can act as soil, jungles, streets and so on, following the dialogue of the puppeteer.

 

Gunungan_normal_4Gunungan_fire_1

 

After the play is finished, Gunungan is plugged in again in the middle of the screen, leaning slightly to the left, symbolizing that the story / play has finished.

The Gunungan shadow puppet is not only used in wayang kulit performances but also in wayang golek or klitik shows.

 

Click on the photo’s for a bigger preview!

 

– Lielo

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PARIS TATTOO CONVENTION 2015 – NEW T-SHIRTS

Logo

Only 2 more weeks left before the Mondial du Tatouage – Paris Tattoo Convention on March 6, 7, and 8, 2015. I’m busy preparing the last things before I go, but I can already tell you there will be new limited edition T-shirts for sale! For now only a small preview but the full design will be revealed and for sale at the convention in Paris!

T-shirt_Keris_preview

Secondly, thanks to all the people who send me an email to get tattooed at the Paris convention so far. Drop by at my booth for a chat and to check out my work! Underneath here a small impression of the convention.

 

Ade_Indah

 

And if some people might now I have a big love for antique’s and old items from Indonesia, Tibet and Asia in general. The house is almost getting to small for all the masks, Wayang and woodcarvings I collected so far but last week my eye fell on this old wooden toy bus and I had to take it home. Love it.!

 

– Ade Itameda

 

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SELAMAT SIANG!

 

We are back!

 

Indonesie_1

 

Indonesie_2Indonesie_3 Indonesie_6Indonesie_5

A couple of days ago we arrived back in The Netherlands from our trip to Indonesia. It was great, relaxing and inspiring. I wonder if it ever will become easier to say goodbye to this beautiful country? But we keep in mind that it’s never a definite goodbye, more a see-you-again-soon! This time Ade took some time to learn more about Balinese ornaments and carvings. We visited some stunning beaches and parks in and around Bandung, Lembang, Yogyakarta and Bali. And visited some traditional theater shows (Wayang, Ramayana, Kecak), which are always very inspiring to see with their beautiful complex costumes and dances. In Ubud, Bali, Ade learned more about the art of Balinese masks and the meanings behind them from by a local mask maker. So we returned back to Holland full of inspiration and idea’s for new designs and artworks. Now back to reality!


 

Other recent news:

TATTOO PLANET – ADE ITAMEDA

Indonesie_7

This month you can find some of Ade’s recent work in the Dutch Tattoo magazine, Tattoo Planet.

So go and get him at your local bookstore!

 

FRANKFURT TATTOO CONVENTION 2015

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In the beginning of the next year, Ade Itameda will be joining the 23th International Frankfurt Tattoo Convention 2015.

More then 600 tattoo artists from over 20 countries are expected to join this event. This event, which has developed in recent years to be the world’s greatest spectacle of his kind presenting renowned artists from all over the world, with this year a special feature: Traditional tattoo craft.

• Internationalen Frankfurter Tattoo Convention – Messe Frankfurt, Germany – March 20, 21, 22 2015    / more info: http://www.convention-frankfurt.de/joom/

still free spots open

 

More dates of tattoo conventions that Ade Itameda will attend in the new year will be announced soon.

 

– Lielo

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VIDEO – WAYANG ARJUNA

 

Arjuna

WAYANG ARJUNA

This is a tattoo Ade made a while ago on one of his customers.

A little background information; Arjuna is one of the most known characters of the traditional Wayang shadow plays in the world. Arjuna is the third of the five Pandava brothers from the Mahabharata story. He is a master archer and considered to be the hero of the battle of Kurukshetra (a historical and religious important land in India, 3200 B.C.), a fight between the Pandavas and the Kauravas (2 princes). Before the battle starts, Krishna (the 8th incarnation of Lord Vishnu in Hinduism) teaches the warrior Arjuna that it’s not about land and power but all about the human spirit. Arjuna is the only hero in the Mahabharata story that was undefeated. A bit more about his character; Arjuna is described as the one whose mind is spotless and clean of all impurities. even describes Arjuna as Anagha, which means pure of heart or sinless. He was a very handsome, gentle, loyal but also a fearless man. He had strong magical powers which he developed in the time he lived as a prince in the palace. In that time he also studied things such as literature and philosophy, beside the knowledge of battle and war. He was loved by many and was known for his many love affairs. But like many heroes, Arjuna is not much of a family man: he has the habit to go off on his own looking for action.

 

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ADE ITAMEDA X OLIVIER

Hanuman_1

Last week a plan that was made years ago was finally executed. Olivier,  a long term friend and fellow tattoo-artist, came with the idea of a collaboration between him and Ade around 3 years ago, when both of the guys where still working in Rock’n Roll Tattoo studio in Jakarta. Because of all the travelling they never found a good moment to work it out. But last week, Olivier came up with a nice sketch of a wayang shadow puppet version of ‘Hanuman‘ pierced by a traditional Indonesian keris. Ade made a couple of adjustments and then it was ready!

 

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