Tag Archives: Backpiece

GUNUNGAN SHADOW PUPPET BACK PIECE

Gunungan

Last week Ade stared lining up a big back-piece he will be working on. This time a very special ‘character’ from the wayang kulit shaddow puppet theatre, called Gunungan.

Gunungan_3

GUNUNGAN / KAYON

Gunungan (mountains) or Kayon (tree) / the Cosmic Tree or Mountain of Life is a shadow puppet shaped like a mountain and represents the world and its content. On it you will find carved and painted, mythical symbols and animals. There are two types of Gunungan; on one version you will find the tree standing with his roots in a pond of water, which sometimes contains fish (female qualities) and the other one is one with a big gate guarded by two demon giants. They are the guards of heaven and represent the forces of greed and lust. The gate itself is the gate to heaven or perhaps a gate from the world of reality into the mystical world of the ancestors and the gods. The last one is usually slightly more pointed to represent the male qualities. In the tree you find many animals or fantastic creatures are depicted: a tiger, a bison, peacocks, birds, dragons etc. Resembling concepts such as pride, arrogance, and vanity. Half way up the tree is the big face of an demon, Kala / Raksasa , symbolizing the dangers of human life.

Before the wayang shadow puppet play starts, Gunungan is plugged in the middle of the screen, leaning slightly to the right. This means that the puppet play has not yet begun, like the world that has not yet been ‘opened’. Once the play starts, Gunungan will be moved and lined up on the right. It’s function during the performance is to mark the beginning of each scene.

Gunungan_2

Besides that Gunungan is also used as a sign if there are any chances in the play, the stage or the story. Gunungan is also used to symbolize fire or wind. In this case Gunungan is reversed (flipped around) and on that side it reveals a huge demonic face with its tongue hanging out and eyes bulging. It’s consuming flames and fire. They evil energy is unleashed, it consumes and destroys. It’s energy turned negative.

Gunungan_both_1

 

 

The Gunungan (the cosmic mountain or Tree of Life) has both practical and highly symbolic functions in the wayang performances. For example Gunungan can also be used to symbolize the jungle, a mountain or the ocean during some scenes of the play. In this case Gunungan can act as soil, jungles, streets and so on, following the dialogue of the puppeteer.

 

Gunungan_normal_4Gunungan_fire_1

 

After the play is finished, Gunungan is plugged in again in the middle of the screen, leaning slightly to the left, symbolizing that the story / play has finished.

The Gunungan shadow puppet is not only used in wayang kulit performances but also in wayang golek or klitik shows.

 

Click on the photo’s for a bigger preview!

 

– Lielo

Share

SESSION 1 & 2 NIGEL DE JONG BACK PIECE

Nigel_2

 

A while ago I started a new ‘project’, the back piece of dutch pro-footballer (midfielder for Italian Serie A club Milan and the Netherlands national football teamNigel de Jong. After working on his arm, it was now time to continue to the back.

Session 1 & 2 are done, I’m happy with the result so far, but there’s more to come!

Thanks again for the ninja trip! ;)

Nigel

 

To follow the progress of this piece, check out his Instagram account: NDJofficial

 

– Ade Itameda

 

Share

BACK!

Ade_Itameda_Yenni

It’s been a while… We just arrived back in Holland again after an unexpected visit to Indonesia. First of all we want to say thank you for all the people that send an email to make an appointment with Ade to get tattooed in Indonesia. Due to the reason of our visit and the limited amount of time we had this time, Ade didn’t had the opportunity to book everyone in. Ade will save all of your emails and will let you know when he’s planning  to return to Indonesia again. If you didn’t send an email yet and you’re interested in making an appointment with Ade when he returns to Indonesia again, please send your ideas, possible placement and size + reference images to thisis369@gmail.com.

About Ade’s schedule in Holland, we’re currently booking in appointments for the new year. So be quick to book in your app. if you don’t want to wait to long!

Underneath here you can find Ade’s part of the interview with Lars Krutak for the Hungarian Tattoomagazin (http://www.tattoomania.hu/)

 

Ade by Lars Krutak in Hungary

 

 

Share

BACK IN HOLLAND + CIREBON MASK

Cirebon_Mask

We’re back in Holland! Still a bit jet-lagged but at least we took the sun with us!

Last week Ade started working again and his first customer requested to do a traditional Cirebon dancing-mask. Masks are used during important dancing rituals in Indonesia for over a thousand years. Sometimes the mask dance can be performed by solo dancers, or it can also be performed by several people. Masks are used to create more than the character in a drama. Graceful hand and body movements, and accompaniment by the music of a Gamelan, are hallmarks of Javanese mask dance. The dance is performed on special occasions for local officials, or for other traditional celebrations. The Topeng, is a performance which enacts stories from the times of the old Balinese and Javanese kingdoms and creates a link with the ancestor world. The three types of masks used in these dramas are; humans, animals, and demons.The powerful lines of a mask catch the light with a greater impact than that of a human face alone, and the stability of the mask’s features has an intensity stronger than that of a human expression. The masks are almost always carved from wood, mask makers combine different materials like boar’s teeth, horsehair, jewels, gold leaf, Chinese coins, buffalo hide, rabbit pelts, and mirrors. The glossy effect is created by endless sanding and at least 40 coats of paint.

Underneath here you can see a small video of a traditional Cirebon mask dance:

 

 

Share

BEAUTIFUL BACKS

All tattoos are made by Ade Itameda.

414197_3276992928705_1383938789_3282564_670207054_o

414151_3276939727375_1383938789_3282552_461370904_o

338159_3221246335075_1383938789_3265488_1680194886_o

332914_3221210294174_1383938789_3265483_901425196_o

Share

TATTOOS ADE

Aksara jawa lettering and flower inspired by batik ornaments

Aksara jawa:

The earliest known writing in Javanese dates from the 4th Century AD, at which time Javanese was written with the Pallava alphabet. By the 10th Century, the Kawi alphabet, which developed from Pallava, had a distinct Javanese form.

By the 17th Century, the Javanese alphabet, also known as tjarakan or carakan, had developed into its current form. During the Japanese occupation of Indonesia between 1942 and 1945, the alphabet was prohibited.

For a period from the 15th Century onwards, Javanese was also written with a version of the Arabic alphabet, called pégon or gundil.

Since the Dutch introduced the Latin alphabet to Indonesia in the 19th Century, the Javanese alphabet has gradually been supplanted. Today it is used almost exclusively by scholars and for decoration. Those who can read and write it are held in high esteem.

  • Javanese is a syllabic alphabet – each letter has an inherent vowel /a/. Other vowels can be indicated using a variety of diacritics which appear above, below, in front of or after the main letter.
  • Each consonants has two forms: the aksara form is used at the beginning of a syllable, while the pasangan form, which usually appears below the aksara form, is used for the second consonant of a consonant cluster and mutes the vowel of the aksara.
  • There are a number of special letters called aksara murda or aksara gedhe (great or important letters) which are used for honorific purposes, such as to write the names of respected people.
  • The order of the consonants makes the following saying, “Hana caraka, data sawala padha jayanya, maga bathanga” which means “There were (two) emissaries, they began to fight, their valor was equal, they both fell dead”

Share